Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-pftt2 Total loading time: 0 Render date: 2024-05-18T16:24:28.150Z Has data issue: false hasContentIssue false

5 - Music and War

from Part I - Confessions, Identities, and Rhetorics of Power

Published online by Cambridge University Press:  08 January 2019

Iain Fenlon
Affiliation:
King's College, Cambridge
Richard Wistreich
Affiliation:
Royal College of Music, London
Get access

Summary

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Apel, Willi, ed., French Secular Compositions of the Fourteenth Century, 3 vols., Dallas, 1970Google Scholar
Arbeau, Thoinot, Orchésographie, Langres, 1589; rep. Orchesography, trans. Mary Stewart Evans, ed. Sutton, Julia, New York, 1967Google Scholar
Biaggi, Marisa, ‘“Ogni amante e guerrier”’: Monteverdi and the War of Love in Early Modern Italy’, Ph.D. diss., Princeton University, 2006Google Scholar
Billacois, François, The Duel: Its Rise in Early Modern France, trans. Trista Selous, New Haven, CT, and London, 1990CrossRefGoogle Scholar
Brooks, Jeanice, Courtly Song in Sixteenth-Century France, Chicago, IL, 2000Google Scholar
Burke, Peter, The Fortunes of the Courtier: The European Reception of Castiglione’s ‘Cortegiano’, London, 1995Google Scholar
Byrne, Maurice, ‘“The English March”’ and Early Drum Notation’, GSJ 50 (1997), 4380Google Scholar
Cailes, Michael, ‘Renaissance Ideas of Peace and War, and the Humanist Challenge to the Scholastic Just War: The Disputatio De Pace et Bello of 1468; Erasmus and Machiavelli’, Ph.D. diss., University of Exeter, 2012Google Scholar
Castiglione, Baldassare, Il libro del cortegiano (1528), ed. Cordié, Carlo, Milan, 1991Google Scholar
Chafe, Eric, Monteverdi’s Tonal Language, New York, 1992Google Scholar
Cotterill, Rowland, ‘War and Music in the Sixteenth Century’, in War, Literature and the Arts in Sixteenth Century Europe, ed. Mulryne, James R. and Shewring, Margaret, Basingstoke, 1989, 6377Google Scholar
Downey, Peter, ‘A Renaissance Correspondence Concerning Trumpet Music’, EM 19 (1981), 325–29Google Scholar
Elias, Norbert, Über den Prozess der Zivilisation: soziogenetische und psychogenetische Unterzuchungen, Frankfurt am Main, 1997 (1st edn 1937); trans. Edmund Jephcott, as The Civilizing Process (1978); rev. edn Erica Dunning, Johan Goudsblom, and Stephen Mennell, Oxford, 2000Google Scholar
Eltis, David, The Military Revolution in Sixteenth-Century Europe, London, 1995Google Scholar
Fabbri, Paolo, ed., Musica in torneo nell’Italia del Seicento, Lucca, 1999Google Scholar
Fink, Monika, ‘Bedeutung und Funktion der Musik im Turnierwesen’, in Muziek aan het hof van Margaretha van Oostenrijk: Jaarboek van het Vlaamse Centrum voor oude muziek, Mecheln 3, ed. Moens-Haenen, Greta, Peer, 1987, 6978Google Scholar
Goselini, Giuliano, Vita di Don Ferrando Gonzaga in tre libri divisa, Milan, 1574Google Scholar
Guazzo, Stefano, La civil conversazione, Brescia, 1574; ed. Quondam, Amedeo, Modena, 1993Google Scholar
Haar, James, ‘Petrarch’, Grove Music OnlineGoogle Scholar
Haar, JamesThe Courtier as Musician: Castiglione’s View of the Science and Art of Music’, in Castiglione: The Ideal and the Real in Renaissance Culture, ed. Hanning, Robert W and Rosand, David, New Haven, CT, and London, 1983, 165–89Google Scholar
Hale, John R., Artists and Warfare in the Renaissance, New Haven, CT, and London, 1990Google Scholar
Hale, John R. ‘Sixteenth-Century Explanations of War and Violence’, in Renaissance War Studies, London, 1983, 335–58Google Scholar
Hale, John R. The Civilization of Europe in the Renaissance, London, 1994Google Scholar
Hale, John R.The Military Education of the Officer Class in Early Modern Europe’, in Renaissance War Studies, London, 1983, 225–46Google Scholar
Hale, John R.War and Public Opinion in Renaissance Italy’, in Renaissance War Studies, London, 1983, 359–87Google Scholar
Hale, John R. War and Society in Renaissance Europe, Leicester, 1985Google Scholar
Herbert, Trevor, ‘“… Men of Great Perfection in their Science”: The Trumpeter as Musician and Diplomat in England in the Later Fifteenth and Sixteenth Centuries’, Historic Brass Society Journal 23 (2011), 123Google Scholar
Herczog, Johan, Marte armonioso: Trionfo della battaglia musicale nel Rinascimento, Lecce, 2005Google Scholar
His, Isabelle, Claude Le Jeune, v. 1530–1600: un compositeur entre Renaissance et baroque, Arles, 2000Google Scholar
His, IsabelleL’invention de la mêlée en musique: Du chant de bataille au chant de victoire’, in Clément Janequin: Un musicien au milieu des poètes, ed. Halévy, Olivier, His, Isabelle, and Vignes, Jean, Paris, 2013, 213–43Google Scholar
Hofer, Bernd, Höfle, Bernhard, and Probst, Werner, ‘Militärmusik’, in MGG 6, Kassel, 1997, 269–92Google Scholar
Le Jeune, Claude, Airs (1608), ed. Walker, Daniel Pickering and Lesure, François, 4 vols., Rome, 1951Google Scholar
Lorenzetti, Stefano, Music e identità nobiliare in Italia, Florence, 2003Google Scholar
Lot, Ferdinand, Recherches sur les effectifs des armées françaises des guerres d’Italie et les guerres de religion 1494–1562, Paris, 1962Google Scholar
Machiavelli, Niccoló, Libro dell’arte della Guerra, Florence, 1521; ed. Marchand, Jean-Jacques, Fachard, Denis, and Masi, Giorgio, Rome, 2001; trans. and ed. Lynch, Christopher, Chicago, IL, 2003Google Scholar
Maffei, Giovanni da Solfra, Camillo, Delle lettere, Naples, 1562Google Scholar
Markham, Francis, Five Decades of Epistles of Warre, London, 1622Google Scholar
Montaigne, Michel de, Essais, Paris, 1580Google Scholar
Murrin, Michael, History and Warfare in Renaissance Epic, Chicago, IL, 1994Google Scholar
Ovid, , Amores, vol. I, ed. Barsby, John A., Oxford, 1973Google Scholar
Parker, Geoffrey, The Military Revolution: Military Innovation and the Rise of the West, 1500–1800, Cambridge, 2000Google Scholar
Posner, David M., The Performance of Nobility in European Literature, Cambridge, 1999Google Scholar
Potter, David, The French Wars of Religion: Selected Documents, London, 1997Google Scholar
Ringer, Alexander L., ‘Proxy Wars and Horns of Plenty: On Music and Hunt in the Time of Francis 1’, in Music and Civilization: Essays in Honor of Henry Paul Lang, ed. Strainchamps, Edward, Maniates, Maria Rika, and Hatch, Christopher, New York, 1984, 297310Google Scholar
Steinheuer, Joachim, ‘Zur Ikonographie militärischer Architekturen im Liebeskrieg bei Cipriano de Rore, Claudio Monteverdi und Barbara Strozzi’, Musiktheorie 21 (2006), 101–29Google Scholar
Strong, Roy, Art and Power: Renaissance Festivals, 1450–1650, Woodbridge, 1984Google Scholar
Thomas, Elizabeth, ‘Variations on a Military Theme in Ovid’s Amores’, Greece & Rome 11 (1964), 151–64CrossRefGoogle Scholar
Timms, Colin, ‘Tourney’, Grove Music OnlineGoogle Scholar
Tomlinson, Gary, ed., Strunk’s Source Readings in Music History: The Renaissance, New York and London, 1998Google Scholar
van Orden, Kate, Music, Discipline, and Arms in Early Modern France, Chicago, IL, 2005Google Scholar
Vecchi, Orazio, Selva di varie ricreatione (1590), in Battaglia d’Amor e Dispetto and Mascherata della Malinconia et Allegrezza, ed. Nutter, David, Madison, WI, 1987Google Scholar
Vickers, Brian, ‘Leisure and Idleness in the Renaissance: The Ambivalence of Otium’, RS 4 (1990), 819Google Scholar
Watanabe-O’Kelly, Helen, Triumphal Shews: Tournaments at German-Speaking Courts in their European Context, 1560–1730, Berlin, 1992Google Scholar
Weelkes, Thomas, Madrigals of Six Parts (1600), ed. Fellowes, Edmund H, London, 1921Google Scholar
Whigham, Frank, Ambition and Privilege: The Social Tropes of Elizabethan Courtesy Theory, Berkeley, CA, 1984Google Scholar
Wistreich, Richard, Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance, Aldershot, 2007Google Scholar
Yates, Francies A., The French Academies of the Sixteenth Century, London, 1947; repr. 1988Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×