Abel, , La parangon des chansons Sixiesme livre contenant xxv Chansons nouvelles, Lyons, 1540Google Scholar

Alford, Stephen, Kingship and Politics in the Reign of Edward VI, Cambridge, 2002Google Scholar

Aplin, John, ‘“The Fourth Kind of Faburden”: The Identity of an English Four-Part Style’, ML 61 (1980), 245–65Google Scholar

Aplin, John ‘The Origins of John Day’s “Certaine Notes”’, ML 62 (1981), 295‒9Google Scholar

Appenzeller, Benedictus, Chansons a quatre parties, Antwerp, 1542Google Scholar

Appenzeller, Benedictus Articles agreed on by the Bishoppes, and other learned menne in the Synode at London …, London, 1553Google Scholar

Appenzeller, Benedictus Articles to be enquired of, in the visitacion of the ryght Reuerende Father in GOD, John [Taylor] Byschop of Lyncoln …, London, 1552Google Scholar

Appenzeller, Benedictus Articles to be enquyred of in thordinary visitation of the most reuerende father in God, the Lord Cardinall Pooles grace Archbyshop of Cannterbury wythin hys Dioces of Cantorbury, n.p., 1556Google Scholar

Aston, Margaret, ‘English Ruins and English History: The Dissolution and the Sense of the Past’, JWCI 36 (1973), 231‒55Google Scholar

Baldwin, William, The canticles or balades of Salomon, London, 1549Google Scholar

Barnaud, Nicolas, Dialogue second du reveille matin des francois et de leurs voisins, n.p., 1574Google Scholar

Bernard, G. W., The King’s Reformation: Henry VIII and the Remaking of the English Church, New Haven, CT, and London, 2005Google Scholar

Bisaro, Xavier, Chanter toujours: plain-chant et religion villageoise dans la France moderne (XVIe–XIXe siècle), Rennes, 2010Google Scholar

Blezzard, Judith, ‘Monsters and Messages: The Wilmott and Braikenridge Manuscripts of Latin Church Music, 1591’, Antiquaries Journal 75 (1995), 311–38CrossRefGoogle Scholar

Blezzard, Judith The Tudor Church Music of the Lumley Books, Madison, WI, 1985Google Scholar

Bowers, Roger, ‘The Chapel Royal, the First Edwardian Prayer Book, and Elizabeth’s Settlement of Religion, 1559’, The Historical Journal 43 (2000), 317‒44Google Scholar

Bowers, Roger ‘The Prayer Book and the Musicians, 1549‒1662’, Cathedral Music (2002), 36‒44Google Scholar

Bowers, Roger ‘The Vernacular Litany of 1544 During the Reign of Henry VIII’, in Authority and Consent in Tudor England, ed. Bernard, George W. and Gunn, Steven J., Aldershot, 2002, 151−78Google Scholar

Bowker, Margaret, The Henrician Reformation: The Diocese of Lincoln under John Longland, 1521–1547, Cambridge, 1981Google Scholar

Bray, Roger, ed., Robert Fayrfax, III: Regali, Albanus and Sponsus amat sponsam, London, 2010Google Scholar

Brett, Philip, ‘Edward Paston (1550‒1630): A Norfolk Gentleman and his Musical Collection’, Transactions of the Cambridge Bibliographical Society 4 (1964), 51‒69Google Scholar

Brigden, Susan, London and the Reformation, Oxford, 1989Google Scholar

Brooks, Jeanice, ‘France, ii. 1560–1600’, in European Music, 1520−1640, ed. Haar, James, Woodbridge, 2006, 171−81Google Scholar

Brown, Christopher Boyd, Singing the Gospel: Lutheran Hymns and the Success of the Reformation, Cambridge, MA, 2005Google Scholar

Brown, K. M., Mann, A., McIntosh, G, and Ritchie, P, eds., The Records of the Parliaments of Scotland to 1707, St Andrews, 2007‒13Google Scholar

Carley, James, ‘French Evangelical Books at the Court of Henry VIII’, in Le livre évangélique en français avant Calvin, ed. Gilmont, Jean-François and Kemp, William, Turnhout, 2004, 131‒45Google Scholar

Cavicchi, Camilla, ‘Musiciens et chantres picards en voyage’, in La musique en Picardie du XIVe au XVIIe siècle, ed. Cavicchi, Camilla, Colin, Marie-Alexis, and Vendrix, Philippe, Turnhout, 2012, 327‒43Google Scholar

Cazaux, Christelle, La musique à la cour de François Ier, Paris, 2002Google Scholar

Dawson, Jane, Scotland Re-Formed 1488‒1587, Edinburgh, 2007Google Scholar

Dobbins, Frank, Music in Renaissance Lyons, Oxford, 1992Google Scholar

Doe, Paul, ‘Latin Polyphony under Henry VIII’, Proceedings of the Royal Musical Association 95 (1968–9), 81−96Google Scholar

Duffy, Eamon, Fires of Faith: Catholic England under Mary Tudor, New Haven, CT, and London, 2009Google Scholar

Duguid, Timothy, Metrical Psalmody in Print and Practice: English ‘Singing Psalms’ and Scottish ‘Psalm Buik’, c. 1547‒1640, Aldershot, 2014Google Scholar

Dumitrescu, Theodor, The Early Tudor Court and International Musical Relations, Aldershot, 2007Google Scholar

Dunning, R. W., The Victoria History of the County of Somerset, vol. IX: Glastonbury and Street, London, 2006Google Scholar

Elliott, Kenneth, ‘Church Music at Dunkell’, ML 45 (1964), 228‒32Google Scholar

Febvre, Lucien, ‘Une question mal posée: les origines de la Réforme française et le problème des causes de la Réforme’, Revue Historique 161 (1929), 7‒95Google Scholar

Fenlon, Iain, ‘La diffusion de la chanson continentale dans les manuscrits anglais entre 1509–1570’, in La chanson à la Renaissance, ed. Vaccaro, Jean-Michel, Tours, 1981, 172‒89Google Scholar

Foxe, John, Actes and monuments of these latter and perillous dayes touching matters of the Church, London, 1563Google Scholar

Freedman, Richard, The Chansons of Orlando di Lassus and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France, Rochester, 2000Google Scholar

Gentian, , La difficile des chansons: Second livre contenant xxvi chansons nouvelles, Lyons, 1544Google Scholar

Gros, Gérard, Le poète, la Vierge et le prince du puy: étude sur les puys marials de la France du nord du XIVe siècle à la Renaissance, Paris, 1992Google Scholar

Harper, Sally, Music in Welsh Culture Before 1650: A Study of the Principal Sources, Aldershot, 2007Google Scholar

Heal, Bridget, The Cult of the Virgin Mary in Early Modern Germany: Catholic and Protestant Piety, 1500–1648, Cambridge, 2007Google Scholar

Hearne, Thomas, ed., Johannis Lelandi Antiquarii de Rebus Britannicis Collectanea, vol. IV, London, 1770Google Scholar

Henry VIII, King of England, Assertio Septem Sacramentorum, London, 1521Google Scholar

Holt, Mack P., The French Wars of Religion, 1562–1629, 2nd edn, Cambridge, 2005Google Scholar

Hoyle, R. W., The Pilgrimage of Grace and the Politics of the 1530s, Oxford, 2001Google Scholar

Hume, Martin, and Tyler, Royall, eds., Calendar of State Papers, Spanish, vol. IX: 1547–1549, London, 1912Google Scholar

Ives, Eric, ‘Anne Boleyn and the “Entente évangélique”?’ in François Ier et Henri VIII: deux princes de la Renaissance (1515‒1547), ed. Giry-Deloison, Charles, Lille and London, 1996, 83‒102Google Scholar

Ives, Eric ‘Anne Boleyn on Trial Again’, JEH 62 (2011), 763‒77Google Scholar

Johnstone, Andrew, ‘Thomas Tallis and the Five-Part English Litany of 1544: Evidence of “the Notes Used in the King’s Majesty’s Chapel”’, EM 44 (2016), 219−32Google Scholar

Jones, Elisabeth, ‘From Chamber to Church: The Remarkable Emergence of Thomas Sternhold as Psalmist for the Church of England’, Reformation & Renaissance Review 11 (2009), 29‒56Google Scholar

Kerman, Joseph, ‘An Elizabethan Edition of Lassus’, AcM 27 (1955), 71‒6Google Scholar

Kingdon, Robert, Myths about the St Bartholomew’s Day Massacres, 1572‒1576, Cambridge, MA, 1988Google Scholar

Lafarge, James K., Orthodoxy and Reform in Early Reformation France: The Faculty of Theology of Paris, 1500–1543, Leiden, 1985Google Scholar

Launay, Denise, La musique religieuse en France du Concile de Trente à 1804, Paris, 1993Google Scholar

Leaver, Robin, ‘Goostly Psalmes and Spirituall Songes’: English and Dutch Metrical Psalms from Coverdale to Utenhove, 1535‒1566, Oxford, 1991Google Scholar

Leaver, Robin ‘Metrical Psalms and Canticles, the Book of Common Prayer, and Thomas Cranmer’, in The Serious Business of Worship: Essays in Honour of Bryan D. Spinks, ed. Ross, Melanie C. and Jones, Simon, London, 2010, 101‒16Google Scholar

MacCulloch, Diarmaid, Thomas Cranmer: A Life, New Haven, CT, and London, 1996Google Scholar

MacCulloch, Diarmaid Tudor Church Militant: Edward VI and the Protestant Reformation, London, 1999Google Scholar

Manchicourt, Pierre de, Le neufiesme livre Des Chansons a quatre parties … composees par maistre pier de manchicourt, Antwerp, 1545Google Scholar

Marot, Clément, and de Bèze, Théodore, Pseaumes Octantetrois de David, Geneva, 1551Google Scholar

Marsh, Dana, ‘Sacred Polyphony “Not Understandid”: Medieval Exegesis, Ritual Tradition and Henry VIII’s Reformation’, EMH 29 (2010), 33−77Google Scholar

Mateer, David, ‘John Sadler and Oxford, Bodleian Mss Mus. e. 1–5’, ML 60 (1979), 281‒95Google Scholar

Mateer, David ‘The Compilation of the “Gyffard” Partbooks’, Royal Musical Association Research Chronicle 26 (1993), 19‒43Google Scholar

Mateer, David ‘The “Gyffard” Partbooks: Composers, Owners, Date and Provenance’, Royal Musical Association Research Chronicle 28 (1995), 21‒50Google Scholar

Mateer, David ‘William Byrd, John Petre and Oxford, Bodleian MS Mus. Sch. E. 423’, Royal Musical Association Research Chronicle 29 (1996), 21‒46Google Scholar

Mateer, David, ed., The Gyffard Partbooks, 2 vols., Early English Church Music, 48 and 51, London, 2007 and 2009Google Scholar

McCarthy, Kerry, ‘Evidence of Things Past’, JRMA 135 (2010), 405‒11Google Scholar

Milsom, John, ‘Caustun’s Contrafacta’, JRMA 132 (2007), 1–31Google Scholar

Milsom, John ‘English-Texted Chant Before Merbecke’, Plainsong and Medieval Music 1 (1992), 77–92Google Scholar

Milsom, John ‘Sacred Songs in the Chamber’, in English Choral Practice 1400–1650, ed. Morehen, John, Cambridge, 1995, 161–79Google Scholar

Milsom, John ‘Singing Sternhold’s Psalms’, unpublished paper delivered at Newcastle University, 6 November 2013Google Scholar

Milsom, John ‘William Mundy’s “Vox Patris Caelestis” and the Accession of Mary Tudor’, ML 91 (2010), 1−38Google Scholar

Munro, Gordon, ‘“Sang Schwylls” and “Music Schools”: Music Education in Scotland, 1560‒1650’, in Music Education in the Middle Ages and the Renaissance, ed. Murray, Russell E., Forscher, Susan Weiss, Cynthia J. Cyrus, , Bloomington, IN, 2010, 65‒83Google Scholar

Munro, Gordon ‘Scottish Church Music and Musicians, 1500–1700’, Ph.D. diss., Glasgow University, 1999Google Scholar

Munro, Gordon ‘The Scottish Reformation and its Consequences’, in Our Awin Scottis Use: Music in the Scottish Church up to 1603, ed. Harper, Sally, with additional contributions by Edwards, Warwick and Munro, Gordon J., Glasgow and Aberdeen, 2000Google Scholar

Overell, M. Anne, ‘Pole’s Piety? The Devotional Reading of Reginald Pole and His Friends’, JEH 63 (2012), 458‒74Google Scholar

Page, Christopher, ‘Freedom of Movement and the Rise of European Music in the Early Middle Ages’, in Freedom of Movement in the Middle Ages, ed. Horden, Peregrine, Donington, 2007, 1‒18Google Scholar

Page, Daniel, ‘Uniform and Catholic: Church Music in the Reign of Mary Tudor (1553–1558)’, Ph.D. diss., Brandeis University, 1996Google Scholar

Porrer, Sheila M., Jacques Lefèvre d’Étaples and the Three Maries Debate, Geneva, 2009Google Scholar

Porter, James, ‘The Geneva Connection: Jean Servin’s Settings of the Latin Psalm Paraphrases of George Buchanan (1579)’, AcM 81 (2009), 229‒54Google Scholar

Quitslund, Beth, The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547‒1603, Aldershot, 2008Google Scholar

Raine, James, ed., Depositions and Other Ecclesiastical Proceedings from the Courts of Durham, London and Edinburgh, 1845Google Scholar

Rees, Owen, ‘The English Background to Byrd’s Motets: Textual and Stylistic Models for Infelix ego’, in Byrd Studies, ed. Brown, Alan and Turbet, Richard, Cambridge, 1992, 24–50Google Scholar

Reid, Jonathan, King’s Sister – Queen of Dissent: Marguerite of Navarre (1492–1549) and Her Evangelical Network, 2 vols., Leiden, 2009Google Scholar

Reinburg, Virginia, ‘Liturgy and the Laity in Late Medieval and Reformation France’, SCJ 23 (1992), 526‒47Google Scholar

Roberts, Penny, A City in Conflict: Troyes During the French Wars of Religion, Manchester, 1996Google Scholar

Ross, D. James, Musick Fyne: Robert Carver and the Art of Music in Sixteenth Century Scotland, Edinburgh, 1993Google Scholar

Ryrie, Alec, ‘Reform Without Frontiers in the Last Years of Catholic Scotland’, English Historical Review 119 (2004), 27–56Google Scholar

Ryrie, Alec The Age of Reformation: The Tudor and Stewart Realms 1485–1603. Abingdon, 2017Google Scholar

Ryrie, Alec The Origins of the Scottish Reformation, Manchester, 2006Google Scholar

Ryrie, Alec ‘The Psalms and Confrontation in English and Scottish Protestantism’, Archiv für Reformationsgeschichte 101 (2010), 114‒37Google Scholar

Sandon, Nick, ‘The Henrician Partbooks at Peterhouse, Cambridge’, Proceedings of the Royal Musical Association 103 (1976–7), 106–40Google Scholar

Saulnier, Verdun-Louis, ‘Marguerite de Navarre, Catherine de Médicis et les Psaumes de Marot: autour de la lettre de Villemadon’, Bibliothèque d’Humanisme et Renaissance 37 (1975), 349‒76Google Scholar

Skinner, David, ‘Music and the Reformation at Magdalen’, Magdalen College Record (2002), 79‒84Google Scholar

Smith, Jeremy, Thomas East and Music Publishing in Renaissance England, New York, 2003Google Scholar

Starkey, David, The Reign of Henry VIII: Personalities and Politics, London, 2002Google Scholar

Sternhold, Thomas, Certayne psalms chosen out of the Psalter of Dauid, and drawen into Engishe metre by Thomas Sternhold grome of ye kynges Maiesties Roobes, London, 1548?Google Scholar

Sternhold, Thomas, and Hopkins, John, Al such psalms of Dauid as Thomas Sternehold late grome of [the] kings Maiesties roobes, didde in his time draw into English Metre, London, 1549Google Scholar

Strohm, Reinhard, The Rise of European Music, 1380‒1500, Cambridge, 1993Google Scholar

Taylor, Philip, ‘Memorializing Mary Tudor: William Byrd and Edward Paston’s “Crowned with flowers and lilies”’, ML 93 (2012), 170‒90Google Scholar

Temperley, Nicholas, ‘“All Skillful Praises Sing”: How Congregations Sang the Psalms in Early Modern England’, RS 29 (2015), 531–53Google Scholar

Trocmé-Latter, Daniel, ‘The Psalms as a Mark of Protestantism: The Introduction of Liturgical Psalm-Singing in Geneva’, Plainsong and Medieval Music 20 (2011), 145–63Google Scholar

Trocmé-Latter, Daniel The Singing of the Strasbourg Protestants, 1523–1541, Aldershot, 2015Google Scholar

Tye, Christopher, The Actes of the Apostles, translated into Englyshe Metre, London, 1553; ed. Morehen, John, Christopher Tye, I: English Sacred Music, London, 1977Google Scholar

Urkevich, Lisa, ‘Anne Boleyn, a Music Book, and the Northern Renaissance Courts: Music Manuscript 1070 of the Royal College of Music, London’, Ph.D. diss., University of Maryland, 1997Google Scholar

van Orden, Kate, ‘Chanson and Air’, in European Music, 1520‒1640, ed. Haar, James, Woodbridge, 2006, 193‒224Google Scholar

van Orden, Kate ‘Children’s Voices: Singing and Literacy in Sixteenth-Century France’, EMH 25 (2006), 209‒56Google Scholar

van Orden, Kate Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe, New York, 2015Google Scholar

Watson, Tim, ‘Preaching, Printing, Psalm-Singing: The Making and Unmaking of the Reformed Church in Lyon, 1550–1572’, in Society and Culture in the Huguenot World, 1559–1685, ed. Mentzer, Raymond and Spicer, Andrew, Cambridge, 2002, 10–28Google Scholar

Weeda, Robert, Itinéraires du Psautier huguenot à la Renaissance, Turnhout, 2009Google Scholar

Wegman, Rob, The Crisis of Music in Early Modern Europe, 1470–1530, New York, 2005Google Scholar

Whatmore, L. E., ed., Archdeacon Harpsfield’s Visitation, 1557, London, 1950‒1Google Scholar

Williams, N. J., ed., Calendar of the Patent Rolls Preserved in the Public Record Office: Elizabeth I, vol. VI: 1572‒1575, London, 1973Google Scholar

Williamson, Magnus, ‘Evangelicalism at Boston, Oxford and Windsor under Henry VIII: John Foxe’s Narratives Recontextualized’, in John Foxe at Home and Abroad, ed. Loades, David, Aldershot, 2004, 31–45Google Scholar

Willis, Jonathan, ‘“By These Means the Sacred Discourses Sink More Deeply into the Minds of Men”: Music and Education in Elizabethan England’, History 94 (2009), 294–309Google Scholar

Willis, Jonathan Church Music and Protestantism in Post-Reformation England: Discourses, Sites and Identities, Aldershot, 2010Google Scholar

Woodcock, Philippa, ‘Was Original Best? Refitting the Churches of Le Mans, 1562‒1598’, in The Archaeology of Post-Medieval Religion, ed. King, Chris and Sayer, Duncan, Woodbridge, 2011, 39–52Google Scholar

Wrightson, James, The Wanley Manuscripts, Madison, WI, 1989Google Scholar

Wursten, Dick, ‘Did Clément Marot Really Offer his Trente Pseaulmes to the Emperor Charles V in January 1540?’ RS 22 (2008), 240‒50Google Scholar