Other available formats:
Looking for an examination copy?
If you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact firstname.lastname@example.org providing details of the course you are teaching.
Scholars and performers of the nineteenth and twentieth centuries attempted to revive music that could evoke the Middle Ages. They invented new sounds and new ways of understanding medieval music. This is the fascinating story of the musicians and the societies in which they worked to remake a lost musical world.Read more
- Controversial - questions some of musicology's most cherished beliefs
- Discusses well-known performers and recordings of early music (David Munrow, Gothic Voices, etc.)
- Very readable - enlivened by the author's memories of many of the people and trends he discusses
- Winner of the Royal Philharmonic Society Book Award for 2003
Reviews & endorsements
"This book is a good read for anyone who is interested in medieval music or has an interest in how history, particularly music history, is written and developed." Music Educators JournalSee more reviews
"Part histoiography and part reception history, this meticulously researched volume reminds readers that no attempt to re-create the music of the past is likely to avoid doing sos through perspectives that are decidedly embedded in the present. Highly recommended." Choice
"The Modern Invention of Medieval Music is n important book. It raises fundamental questions about the relation among music, performance, and historical writing. It belongs on the reading lists of every graduate course in musicological methods, and by extension in the hands of any musicologist interested in how and (more importantly) why we write about music. I cannot praise this book enough for its imagination, daring and élan. It is a book that hits us where we live." Current Musicology, Thomas Irvine
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: December 2002
- format: Hardback
- isbn: 9780521818704
- length: 348 pages
- dimensions: 229 x 152 x 24 mm
- weight: 0.68kg
- contains: 1 b/w illus. 5 music examples
- availability: Available
Table of Contents
1. The invention of the voices-and-instruments hypothesis
2. The re-invention of the a cappella hypothesis
3. Hearing medieval harmonies
4. Evidence, interpretation, power and persuasion
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email email@example.comRegister Sign in
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×
Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.×