Since at least the 1970s, Egyptian cinema has animated scholars of the Middle East; a by-product of a cultural turn in the discipline and broader interest in using film as a scholarly source. No doubt, Egypt's rich history of film production—often (and perhaps misleadingly) referred to as the “Hollywood on the Nile”—has encouraged scholars to use its films to examine broader political issues or capture the “mood” of a particular historical moment. Scholarship has mainly focused on films of the post-1952 era, often ones that reflect a definitive ideological bent or didactic message. The early period of cinema in Egypt, from the 1920s to 1940s, is much less studied. The perception of early Egyptian films as mere “imitations” of Hollywood and devoid of blatant political messaging contributed to consigning it to the dustbin of cinema history.