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Literary Impressionism and Modernist Aesthetics

Details

  • Page extent: 292 pages
  • Size: 228 x 152 mm
  • Weight: 0.437 kg

Paperback

 (ISBN-13: 9780521033015)

Jesse Matz examines the writing of such modernists as Henry James, Joseph Conrad and Virginia Woolf, who used the word 'impression' to describe what they wanted their fiction to present. Matz redefines literary Impressionism, focusing on the way that impressions destroy standard perceptual distinctions between thinking and sensing, believing and suspecting. He argues that these writers favoured not immediate subjective sense, but rather a mode that would mediate perceptual distinctions. Just as impressions fall somewhere between thought and sense, Impressionist fiction occupies the middle ground between opposite ways of engaging with the world. Matz also argues that the resulting confusion becomes a basic plot feature of modernist fiction. This wide-ranging 2001 study addresses the problems of perception and representation that occupied writers in the early decades of the twentieth century.

• Redefines impressionism in literature • Covers a broad range of writers: Henry James, Joseph Conrad, Thomas Hardy, Virginia Woolf • Gives comprehensive attention to the common aesthetic preoccupations of major modernist writers

Contents

Acknowledgments; Introduction: Proust's deathless analogy; 1. Impressions of modernity; 2. Pater's homoerotic impression; 3. The woman of genius; 4. The distant labourer; 5. Woolf's phenomenological impression; 6. Three Impressionist allegories; Conclusion: Mrs. Brown and Mrs. Bell; Notes; Index.

Review

'… this vibrant study is bound to be noticed, quoted, and remembered. And in setting a new standard for commentary on an often intractable topic, it may even set off a revived - and revitalized - debate.' Modernism/Modernity

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