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Home > Catalogue > Literature, Technology, and Modernity, 1860–2000
Literature, Technology, and Modernity, 1860–2000


  • Page extent: 170 pages
  • Size: 228 x 152 mm
  • Weight: 0.42 kg

Library of Congress

  • Dewey number: 820.9/356
  • Dewey version: 22
  • LC Classification: PR468.T4 D35 2004
  • LC Subject headings:
    • English literature--19th century--History and criticism
    • Technology in literature
    • Literature and technology--Great Britain--History--19th century
    • Modernism (Literature)--Great Britain
    • Railroad travel in literature

Library of Congress Record

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 (ISBN-13: 9780521833929 | ISBN-10: 0521833922)

  • Also available in Paperback
  • Published February 2004

Available, despatch within 3-4 weeks

US $103.00
Singapore price US $110.21 (inclusive of GST)

Industrial modernity takes it as self-evident that there is a difference between people and machines, but the corollary of this has been a recurring fantasy about the erasure of that difference. The central scenario in this fantasy is the crash, sometimes literal, sometimes metaphorical. Nicholas Daly considers the way human/machine encounters have been imagined from the 1860s on, arguing that such scenes dramatise the modernisation of subjectivity. Daly begins with Victorian railway melodramas in which an individual is rescued from the path of the train just in time, and ends with J. G. Ballard's novel Crash in which people seek out such collisions. Daly argues that these collisions dramatise the relationship between the individual and the industrial society, and suggests that the pleasures of fictional suspense help people to assimilate the speeding up of everyday life. This book will be of interest to scholars of modernism, literature and film.

• This study sheds light on the way literature and film have helped us to assimilate industrial modernity • It makes an important contribution to topical debates about culture and technology • Will be of interest to scholars of literature, film and culture


Acknowledgements; List of illustrations; Introduction; 1. Sensation drama, the railway and modernity; 2. Sensation fiction and the modernisation of the senses; 3. The Boerograph; 4. 'It': the last machine and the invention of sex appeal; 5. Crash: flesh, steel, and celluloid.


Review of the hardback: 'This is a concise, impeccably researched book, which teases out a coherent narrative from a seemingly disparate set of cultural sources.' The Times Literary Supplement

Review of the hardback: 'Literature, Technology, and Modernity delivers a compelling, original, and intellectually sophisticated account …' English

Review of the hardback: 'Literature, Technology, and Modernity, 1860–2000 is inventive, resourceful, and well-grounded in the social and cultural history of the hundred and forty year period the book covers. Daly's book is a great read …' Modernism/Modernity

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